Immersive experiences for children. On Sunday, we went to the “Hershey Super Sweet Adventure” in Tysons Corner for Luis’s mom’s birthday. It’s a bunch of kids’ activities, like popping a balloon or going through one of those optical illusion tunnels with the walls that make you feel like you’re going to fall over. In the end, you win some candy, and you also get a candy bar with your photo on the wrapper. At first I was worried the activities/place would be like Chuck E. Cheese or something, but it wasn’t too bad. I did keep thinking about Willy’s Chocolate Experience though. Can you blame me? Thankfully, the people working at the Hershey thing didn’t seem miserable, though I thought they might be thinking, “Why is this group of six adults doing this?” 😝
My issues with Shrinking, a show I do like. We started watching Shrinking a few weeks ago. We like Harrison Ford and Jason Segel, so why not? It’s a cute show, with a lot of fun, likeable characters… But we’re about seven episodes in and we’ve noticed an unusual trend. You know how on most comedic shows there are groups of characters? There’s the main character and their friends or family or both. Then there are the side characters that add levity to the situations. Then there are the recurring cameo characters that show up sometimes and they’re not part of the main group but they add a bit of extra flavor or whatever. Think of Seinfeld. There’s the main group of friends, then there’s their parents or other friends (hello Newman) or what have you, and then there are the recurring but not as frequent characters like Putty or J. Peterman. The recurring, random characters mainly interact with one of the main characters, maybe two but it’s not like J. Peterman hangs out in Jerry’s apartment.
But here’s the glaring issue I have with Shrinking: everyone on the show, all of the characters, seem to be best friends with each other. Jason Segel’s daughter is friends with Harrison Ford even though he’s much older and her dad’s boss. There’s not really much connection there (at least not one that’s shown.) Shawn, the patient Jason Segel becomes too close with, is immediately buddy-buddy with Jason Segel’s nosy neighbor, his daughter, his boss, and his coworker (oh my god, I love Jessica Williams though. She’s my favorite character.) It seems like every time a new character is introduced, they get sucked into being intimate friends with all the other characters. The estate lawyer guy showed up and was also insta-friends with everyone, including the patient who shouldn’t know him at all probably.
I feel like I’m the only one who’s noticed and is bothered by this. Well, besides Luis. I like the show, but almost in an “this irks me but I enjoy watching it anyway” kind of way. It feels like lazy writing.
Overwhelming oneself with monetized “advice.” Many people have noticed this, I’m sure, but there are countless websites and influencers online who offer advice and tips on writing and getting published. They’re often behind some kind of a paid subscription plan in order for people to get the full advice. I started noticing this on Substack, so I stopped using Substack. I don’t think it’s right for everything to cost money, especially if it’s someone telling you the same thing others will say on YouTube for free.
I can’t tell you how many times I’ve started following an author or literary agent who claims they offer guidance for writers, only to be greeted with ‘sign up for the webinar, only $60’ or something like that. Now I know services are performed by people who need to make a living. I get it. But then again, a successful author who’s making money from book sales shouldn’t be taking a bunch of money from other writers who come to them for help. Many writers don’t have a lot of extra money for every random webinar.
I don’t know. I just think it’s a difficult enough industry without making it even harder and more soul-sucking for people who just like creating imaginary worlds and want to share those worlds with others. I wish free writing advice was more normalized. I should unsubscribe from these people.
Writing update. It struck me last Thursday, don’t ask me why or how, that the story I’m currently revising, as much as I love it and want people to read it, isn’t really attention-grabby enough to catch an agent’s eye. I think it’s good to realize and understand, even if it really hurts. Not every story will work as a marketable book that ends up on shelves. Heck, not even every book that lands an agent actually ends up being sold. It’s a tough business. And it’s probably a better, more realistic idea for me to see this revision as what it ultimately really is: skill-building and enjoyment. From this story, newer and better ideas will bloom and grow and my writing gets stronger every draft I write.
This should be my real takeaway. I skipped writing last Thursday night because I was feeling too gloomy, but it’s still great to finish a draft and see myself getting better. Even if no one reads this one (Luis will read it, but besides Luis!) it’s still worthwhile. And my next novel will be even better. Maybe that one will even be the one that can move me forward.
I’m not giving up, I’m just being kinder to myself and allowing myself to explore different ideas.
Sara Mazariegos 